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The Great Albums

Two indie rock musicians, Bill Lambusta and Brian Erickson, dive into the fandom of great rock and pop music and how it connects to their lives through the lens of the medium they care for most, the album. Episodes frequently include guest contributions from musicians, podcasters, and journalists and always culminate in a track by track review.
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Now displaying: July, 2016
Jul 28, 2016

It's Bonus Song Thursday! Bill and Brian continue discussing Television (you know, the band, not the thing you stare at in the living room) by listening to and chatting about "1880 of So" from their 1992 "comeback" self titled album. We speculate on the possibility of a Television biography and why the band reformed when they did. Then, spurred by a Twitter interaction, we attempt to once again explain what we are trying to accomplish with the podcast and the best way to interact with us by inviting everyone to join the conversation.

Jul 25, 2016

Bill and Brian welcome journalist/Jersey music expert Jim Testa (www.jerseybeat.com) to talk about Television's Marquee Moon (1977, Elektra). Emerging out of the CBGB "punk" scene, Television struggled to find mainstream success with their quirky rock and only put out two albums before calling it quits (a third followed in the 90s after they reformed). Despite this, the band has gone on to be critically well regarded and highly influential. Jim Testa, who has been writing about music since before the release of this album, tells us about the early days at CBGB and discovering this music as it was released. Bill, Brian, and Jim discuss the Ramones, what the heck post-punk is, how Television is completely unique, what Robert Christgau had to say about the album, the quality of Tom Verlaine's voice, the strange rhythms in the songs, a little on what Brian thinks sounds "angular," what cinematic sounds like, Suicide (the band), and much more as we make our way through the album track by track!

Jul 21, 2016

It's Bonus Song Thursday! Because Brian was a little busy, Bill brings some well researched facts about Aimee Mann's cover of the Harry Nilsson song "One!" He talks about the history of the song as it made it's way from Nilsson to Three Dog Night to Mann to the Magnolia soundtrack! Additionally, Bill reads some listener emails about cool comic books about music and how we obviously inspired Jeff Tweedy as he pondered what to name the latest Wilco album!

Jul 18, 2016

Brian and Bill are joined by podcaster Dan Drago (25oclockpod.com) to talk about Harry Nilsson's triumphant hit album, Nilsson Schmilsson (1971, RCA Victor). Nilsson started his career as both a recording artist and songwriter who finally broke when Three Dog Night covered his tune "One" in 1969. He enjoyed continued success with a series of unique albums through the 70s before retiring from the music business in the 80s. Dan shares how he knew Nilsson without knowing it, until he checked out this album after not getting an in-joke perpetuated by his brother and their friends' band. Bill, Brian, and Dan talk about Nilsson's influence on solo Beatles output, his collaboration with Randy Newman, the idiosyncratic humor found on this album, multi-Harry harmonies, the Bo Diddley beat, Badfinger and their sad story, how Nilsson wrote a song that feels like it wasn't written by anyone, Nilsson's continuing legacy, and much more as we make our way through the album track by track!

Jul 14, 2016

It's Bonus Song Thursday! Bill and Brian take a closer look at the song stylings of the iconic actor William Shatner by listening to and discussing his collaboration with Ben Folds on the latter's experimental pop record Fear of Pop Vol. 1. We talk about how this song hinted on what was yet to come. We also read a few listener emails that help us finally put the nail in the coffin on what the deal is with winter in Australia and New Zealand, explore more about how we want to discuss the technical aspects of music and production, and a shout out to our friends in the band Ayer Amarillo!

Jul 11, 2016

Bill and Brian take a deep dive into the unique and unexpectedly great work of William Shatner and his collaboration with Ben Folds, Has Been (2004, Shout! Factory). The iconic Star Trek actor was often maligned for his previous foray into pop music, 1968's The Transformed Man, but he found a willing collaborator who helped channel his spoken word poetry fantastic songs that muse on success, tragedy, and growing older. Bill and Brian talk about how they were pleasantly surprised when this came out. We came for Ben Folds but stayed for Shatner. We also discuss Pulp, Joe Jackson, anxiety in the face of success, relationships with dads, the passage of time, the Great Cosmic Joke, having fun at funerals, choosing how you feel, how Shatner took control of who and what he is with his own self-awareness, and much more as we make our way through the album track by track!

Jul 7, 2016

It's Bonus Song Thursday! Brian and Bill ask (and answer) the question: What is Kim's Deal? This is, of course, a reference to Pixies member and Breeders front woman Kim Deal, as we continue our conversation from our Doolittle episode by following her career with the band's hit single "Cannonball." Bill and Brian talk about who got the last laugh in the Kim/Black Francis feud, the very 90s-ness of the fact that this song was even a hit, and we read some listener tweets about the first day of Winter in Australia!

Jul 4, 2016

Bill and Brian welcome drummer John Petrick of the Stewart Dolly (thestewartdolly.bandcamp.com) to the podcast to discuss the Pixies sophomore full length release Doolittle (1989, 4AD). The band formed around the core of primary songwriter Black Francis and guitarist Joey Santiago after the two met at the University of Massachusetts Amherst before bassist Kim Deal and drummer Dave Lovering solidified the lineup. Signed to British indie label 4AD, the band took off with college radio and have since maintained their legacy as one of THE most important alternative bands. John shares how he discovered the band through looking up Weezer on allmusic.com. Bill, Brian, and John discuss Black Francis' name, whether or not his character in the songs reveals who he is in life, Joey Santiago's noisey guitars, Brian not knowing anything about superhero names, the monolithic nature of the album, how to learn to play bass using the Kim Deal method, how Black Francis' voice cracking during a particular song is John's favorite moment on the album, Ennio Morricone, a surprising amount about how the band is like the Beatles in many ways, and more as we make our way through the album track by track!

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