Singer Nikolina the Terrible of the Production (theproductionband.com) joins Bill and Brian to discuss T. Rex's Electric Warrior (1971, Reprise). Nicole talks about how this album is one of her earliest memories and how she grew up listening to T. Rex. Bill, Brian, and Nicole then talk about how T. Rex didn't quite cross the pond with the same success they enjoyed in the UK, Marc Bolan's unique voice, Tony Visconti's production, what exactly glam is, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian talk some more about the Beastie Boys and how their song, "Sabotage," soundtracked their youth and reminded them of Rage Against the Machine. This leads us into analyzing the late 90s rap/rock boom before we get into some listener emails about New Zealand NPR and Ryan Adam's new album. Make sure to check out Tweed at tweed-nz.com!
Dan LeRoy, the man who literally wrote the book on Paul's Boutique (both the 33 1/3 entry and a follow up For Whom the Cowbell Tolls), joins Bill and Brian to talk about the Beastie Boys and their 1989 sophomore album. Dan talks about discovering the band as an early adopter of rap and then loving this album in his college days. Dan also shares his experience of writing his books and working through the many samples present on this album. Dan, Brian, and Bill discuss the Dust Brothers and Matt Dike's influence on the album, the maturation of the band, the importance of (or lack thereof) a hit single, Adam Yauch guiding "A Year and a Day," Mike Diamond disavowing how important their contributions are, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian follow up Sleater-Kinney with some more Sleater-Kinney, by talking about "A New Wave" off 2015's No Cities to Love. We talk about how the band didn't miss a beat in its 10 year hiatus and a bunch about how cool Bob's Burgers is. Then we delve into a bunch of emails responding to our divisive Kanye West comments on last week's episode!
Musician Nick Palmer (thedangeros.com) joins Bill and Brian to discuss Sleater-Kinney's 'breakout' 7th album, the Woods (2005, Sub Pop). Nick describes discovering the band while working at Journeys in the mall, and then thinking the distortion on his pirated copy was a mistake until he bought the album and the liner notes told him that Dave Fridmann was the producer. We talk about Janet Weiss's drumming skills, Carrie Brownstein's rockstar presence, Corin Tucker's soaring vocals, why the band doesn't need a bass player, sexist micro-agressions and pronoun choice, whether or not the last track is any good, how the band should be viewed as one of the greatest of their time, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian start off this episode with a rousing debate about the merit's of Kanye West in which Bill allows himself to disregard the spirit of the podcast for a few moments and come across as a little critical. Luckily, Brian defends Kanye's art admirably, and they end up comparing and contrasting the song to the CAN tune it samples! Additionally, we read some listener emails about great albums from the 80s and aughts and then debate the merits of the Killers (this time with less conflict).
Drummer Colin Ryan (Lowlight, Roadside Graves) joins Brian and Bill to discuss avant-garde German rockers CAN and their landmark album Future Days (1973, United Artists). Colin talks about how his former bandmates convinced him that listening to CAN was a good idea, forever influencing his own playing. Bill, Brian, and Colin discuss how Jaki Liebezeit's drums and Irman Schmidt's keys hold the sound of the band together, Damo Sazuki's unique vocal style, Bill makes up a story about an android while listening to these songs, the band's strange method of songwriting and the philosophy behind it, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Brian and Bill chat about Brian's favorite Spoon song "Utilitarian" off 1998's A Series of Sneaks. We stumble into a conversation about what the 90s sounded like before reading some listener emails about some 2000s albums, Drive By Truckers, Levon Helm's musicianship, and whether or not we think John Mayer is a complete BS musician.