Podcaster Matt Kelly (hmnpodcast.com) joins Bill and Brian to discuss Norah Jones' massive breakout debut Come Away with Me (2002, Blue Note). Matt shares how Jones' blend of melancholy jazz and country helped him process the death of an important family member who passed shortly before this album was released. Then Bill, Brian, and Matt discuss the possible influence of Willie Nelson, Starbucks albums, how Jesse Harris may be the luckiest guy, Lee Alexander's soft country style, Jones' own songwriting, a genius idea for a dramedy film starring Paul Rudd and featuring these songs, summer romances, a bit about Ryan Adams, and more as we make our way through the album track by track!
Bill takes the weekend off, leaving the program in Brian's questionable hands. But he recruits solo artist, bandleader, and Yarnspinners Podcast maestro Brian Rothenbeck (http://rothenbeck.com) to be the guest co-host. Together, the two Brians and special guest Jay Gogel (of The Adventuring Party) dig deep into Ben Folds Five's final album, The Unauthorized Biography of Reinhold Messner (1999, 550 Music). Brian recalls a sad breakup that echoes "Don't Change Your Plans," while Rothenbeck recounts his futile attempts to turn his old Sam Goody customers on to the music of The Promise Ring. Gogel breaks down the level of difficulty of some of Ben Folds' music while all three marvel at the writing contributions of drummer Darren Jessee and Moog-playing of bassist Robert Sledge. All this and more as we break this lost classic down track by track!
Multi-instrumentalist Mike Noordzy of psychedelic afro-cuban surf jazz band El Noordzo (nachtrecords.com) joins Bill and Brian to discuss the eponymous album The Velvet Underground and Nico (1967, Verve). Mike talks about falling in love with a Velvets' best of he found at a random used record shop, before we get into talking about Nico's contributions as a vocalist, Tom Wilson punching up the sound, the effect Andy Warhol had on the band, John Cale vs. Sterling Morrison on bass, Lou Reed's version of a Manhattan Bohemian, Mo Tucker's primal rhythms, and more as we make our way through the album track by track!
Welcome to the first ever Liner Notes edition of the Great Albums podcast, a semi-monthly version of the show where Bill and Brian get to relax a little, read some listener emails, make corrections, and possibly chat about some new topics. In this episode we read some listener emails about loving Boston as a kid, giving the podcast a second chance, some top songs of 2017, guests helping the podcast get some context, and some cool local bands from other parts of the world.
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Bill and Brian dive into Heatmiser, a band that might be familiar to some as "Elliott Smith's band," and their final album Mic City Sons (1996, Caroline). Bill and Brian discuss picking this album up from the Princeton Record Exchange used section, Elliott Smith's value as a band member, co-songwriter Neil Gust going song for song in quality alongside Elliott, Tony Lash's contributions to the Pacific Northwest sound as a producer, Sam Coomes subtle arrangements on bass and keys, beets, and more as we make our way through the album track by track!
Bill and Brian are joined by guitarist and certified luthier Mike Virok (bordentownguitarrescue.com) to discuss Boston's self titled debut album (1976, Epic). Mike talks about discovering this music while his dad played side one on the tape deck while driving to his bowling league. Then Bill, Brian, and Mike get into near one-man-band Tom Scholz production, Brad Delp's important contributions as vocalist, the band's status as "corporate rock," the Real World Boston, rocking out to these songs on Guitar Hero, an elaborate scheme that resulted in a new Taylor acoustic for Delp, and more as we make our way through the album track by track!
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