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The Great Albums

Two indie rock musicians, Bill Lambusta and Brian Erickson, dive into the fandom of great rock and pop music and how it connects to their lives through the lens of the medium they care for most, the album. Episodes frequently include guest contributions from musicians, podcasters, and journalists and always culminate in a track by track review.
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Now displaying: February, 2018
Feb 26, 2018

Bill and Brian are joined by musician Jaime Parker (alpharabbit.bandcamp.com and meekobrando.bandcamp.com) to talk about indie artist Kevin Devine's sophomore effort Make the Clocks Move (2003, Triple Crown Records).

And make sure to check out this week's sponsor, MasterClass! Learn from the best in the world at masterclass.com/great!

Feb 22, 2018

Bill and Brian pick up the digital phone to have a relaxed conversation about Brian preparing for a show at the Stone Pony, Quincy Jones' epic rants, and some listener emails that touch on Boston, Elliott Smith, Ben Folds Five, and the Eagles!

Feb 19, 2018

Musician Adam Bird (aBirdmusic.com) joins Bill and Brian to discuss Hole's breakthrough sophomore effort Live Through This (1994, DGC).

Feb 12, 2018

Author and professor Jonathyne Briggs joins Bill and Brian to discuss Blondie's breakthrough third album Parallel Lines (1978, Chrysalis). Jonathyne talks about underestimating the band as a singles band in his youth before really digging into their catalog after they reformed in the late 90s. Then Bill, Brian, and Jonathyne discuss sexism in the NYC punk scene, Mike Chapman's dictatorial production, Debbie Harry's voice, the excellent rhythm section - Clem Burke and Nigel Harrison, Robert Fripp's guest spot, disco and racism, and much more as we make our way through the album track by track!

Feb 5, 2018

Musician Nick Palmer joins Bill to talk about iconic, landmark "punk" album London Calling (CBS/Epic, 1979) by the Clash. Nick describes working his way back from Green Day to picking up Combat Rock and not understanding how anyone could call it punk. Then Bill and Nick talk about Nick's fandom forming fully, the important dichotomy of Joe Strummer and Mick Jones, Paul Simonon's surprisingly good bass despite his own self-deprecating description of it, Topper Headon's killer drums, some left wing politics, the Spanish Civil war, Guy Stevens throwing chairs, and much more as we make our way through the album (mostly) track by track!

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