Guitarist extrodinaire and all around wonderful person Jim McGee joins Brian and Bill to share his exceptionally well told stories about his experiences with Neil Young and as a fan of On the Beach (1974, Reprise). No lie, this is one of our favorite episodes ever. We talk about how Jim searched far and wide for this album, eventually finding a vinyl taco with a surprise inside!
Bill and Brian are charmed by "music business big wig" Lisa Grosso (you can check out her PR outfit, Effective Immediately, at ei-pr.com) as we talk about one of The National's long list of critically acclaimed albums, Boxer (2007, Beggar's Banquet). Despite the band's affinity for complex rhythms and ornate orchestration, we discuss how The National stays rooted in rock and roll. Obtuse lyrics and a gravelly baritone vocal are also analyzed in depth as we listen to the album one song at a time.
War! Huh! What is it good for? Talking about U2, that's what! Brian and Bill welcome on Nando of the Mad Bracket Status podcast (madbracketstatus.com) and writer for pop-break.com to discuss his overall love for U2 and specifically this album. The guys get into talking about why this album was chosen over other U2 albums that some consider superior, how Bono and RDJ are so alike, and how Adam Clayton brings the big funky bass. We even stumble upon a pretty decent "In Defense of Bono" argument. But the best part is always when we hit the play button on each track of the album and remind ourselves what makes the music so good.
In revisiting another one of our favorite artists, Brian and Bill welcome singer, songwriter, and musician Jesse Elliot (jesseelliot.com) to talk about Weezer's Pinkerton (1996, DGC). We address honesty, heartbreak, and the stigma of being labeled a weirdo as we discuss the album, track by track.
Go big or go home, boys. So we went with one of the biggest albums, both sonically and in legacy, that has ever existed. Writer and director of The Once and Future Nerd (onceandfuturenerd.com) Christian Madera skypes in to help Bill and Brian tell you what makes Bruce Springsteen's Born to Run (1975, Columbia) so great. But seriously, do we really need to tell you? Just listen to that darn thing! A masterpiece. Unfortuantely, our recording didn't come out quite as flawless. There was a skype call drop that we couldn't quite cleanly edit out, so please forgive our minor production snafu. Now let's go murder some lions!
Bill and Brian welcome musician, songwriter, and singer Jaime Parker (of the Timid Roosevelts and Physical Thing) to the podcast to discuss Arcade Fire's Funeral (2004, Merge). We find these Montreal natives had quite a bit to say about growing up, eventually coming to the conclusion that the tititular "funeral" must be one for childhood. That may not be right, but it sounded cool. We also discuss some of our own experiences with death and, on a lighter side, 4D movies (amongst other things). As usual, we let the album itself guide our discussions as we listen to it track by track.
Bill and Brian welcome photographer, videographer, and Bill's wife Beanie Zee (beaniezee.com) to the podcast to talk about influential Britpop band Oasis (who also achieved massive worldwide success with this album). Former crushes, the evolution of Britpop, the art of the tracklist, Teenage Fanclub, sibling rivalries, and more are all discussed as we make our way through the crossover hit (What's the Story) Morning Glory (1995, Creation), one track at a time. Also, you'll hear quite a bit of podcast mascot, Murray the basset hound, whining and pacing in the background.
Bill and Brian talk about indie kids' favorite sons of New Jersey, the Wrens, and their early aughts comeback/first-time-most-of-our-generation-heard-them album The Meadowlands (2003, Absolutely Kosher). Upside down guitars, lo-fi production, and essay-like lyricism dominate the discussions about the music. Also, talking about the greater legacy that the Wrens will leave behind forces Bill and Brian to acknowledge their own fears and anxieties about being aging songwriters in original local bands. All this thanks to a song-by-song breakdown of one of THE defining indie rock records!
Bill and Brian take a break from going deep on a single album (because, you know, the holidays...) and instead bring you 10 great songs from some not-so-great albums. Bill shows you exactly how uncool he is by sharing 5 of his favorite tracks from underated late-90s bands. Brian shows you exactly how cool he is by giving you 4 songs written by dead dudes (you know they're cool because they're no longer living) and 1 song by a band we can't go a single episode without mentioning. Seriously, I think Murray the dog lost his job as podcast mascot to REM.
Bill and Brian return to the classic dynamic duo format to discuss The Hold Steady's Boys and Girls in America (2006, Vagrant). Listen for Bill having issues with a stupid cable as we talk about every song on this album. But mostly, this episode can be summed up by Brian's apt quote, "It's like Angus Young joined the E Street Band."
Bill and Brian have Erin Lamy, Bootstrap Bandits' vocalist (bootstrapbandits.com), come on to talk about one of her favorite albums, Our Lady Peace's Spiritual Machines (2000, Columbia). As it turns out Bill loves this album too! And Brian found himself enjoying it despite the fact that he previously lumped OLP in with all that other late 90s alternative schlock. Ray Kurzweil, AI, the Singularity, time travel, and Art-with-a-capital-A are all discussed.
Brian and Bill welcome Jeff Fiedler (sleepingsatellites.bandcamp.com) back onto the podcast to revisit one of our favorite bands The Replacements with their major label debut Tim (1985, Sire). The guys get serious and straightforward because there's no other way to tell you how awesome The Replacements are. Despite the up and down structure of any 'Mats album, we still talk about every single song on this album, one at a time!
Bill and Brian are solo again as they delve into one of Brian's favorite albums by one of his favorite artists. This here is the music that got adolescent, turtle-neck wearing Brian out of the Jazz LPs section of his local Borders and turned him into the indie pop-rock lovin' hipster we all know and love today! There's a lot of Wikipedia level knowledge on this episode as Brian spent way too much time trolling the message boards of benfolds.org back in the early aughts. And, as always, we talk about every single track on Ben Folds Five's Whatever and Ever Amen (1997, 550/Epic)!
Bill and Brian are joined by writer, actor, comedian, musician, friend, and lover Drew Novelli (check out his web series Just a Cop, Just a Surgeon, and How To With Drew!) to discuss Green Day's breakthrough album Dookie (1994, Reprise). All three reminisce about their formative years and how this album made such an impact. Also, the great "Peter Buck" stops by to give his opinion on a couple songs! As is our norm, we break down Dookie (ew) track-by-track.
Bill and Brian hang out with Small Planet Radio's (smallplanetradio.com) Andrew Kolbenschlag and discuss Wilco's Yankee Hotel Foxtrot (2002, Nonesuch). The finer points of pressing vinyl, the then-timely Cosby scandal, and Wilco's inner turmoil are all examined in detail. And, of course, a track-by-track discussion of the whole album!
Bill and Brian discuss REM's Murmur (1983, I.R.S.) with Mr. Jeff Fiedler--musician, songwriter, singer, producer extrodinaire (sleepingsatellites.bandcamp.com). Jeff shares his near encyclopaedic knowledge of all things pop music related and helps us figure out exactly what makes Murmur so great. Is it Brian's butt baby? You'll just have to listen to until the end to find out!
Bill and Brian dissect Weezer's first album, as well as some bonus material, in another wonderful episode of the Great Albums podcast! This also turns into our longest episode (for an album with only 10 tracks???) thanks to lengthy discussions about mysogeny and the mid-nineties-ness of certain tracks.
In this episode Bill and Brian discuss the soundtrack to one of our favorite children's programs, the Adventures of Pete and Pete. Masterminded by singer/songwriter Mark Mulcahy, the semi-fictitious Polaris released this single album, which just so happens to contain some amazing music.
Welcome to the first episode of the The Great Albums podcast. In our debut, Brian and Bill discuss and listen to The Replacements' Let It Be (1984, Twin Tone). A seminal work for sure. Seminal of what? We're not sure--punk, indie, alt, etc. Thanks for listening.