It's Bonus Song Thursday! This week, Bill and Brian recount a track that, according to Bill, "was in the air" throughout 1998/1999. Pras, formerly of the Fugees, made his solo debut in grand fashion and had a hand from Mya and Wu-Tang Clan's Ol' Dirty Bastard. They discuss how - in total ODB fashion - he just kind of showed up one day and was asked to drop a verse (and took to the assignment admirably). Along the way, they talk about how the Fugees operated similarly to Wu-Tang, fostering members' solo careers following the success of a massively-influential group effort. Will Smith enters into the discussion and so too does superior LP side 2s. All this and more on this week's Bonus Song Thursday edition of the Great Albums podcast.
Podcaster Patrick from Make Dad Read Comics and Almost Education returns to join Bill and Brian in a discussion about Ol' Dirty Bastard's Return to the 36 Chambers: the Dirty Version (1995, Elektra). Patrick talks about being heshera and a secret Wu Tang Clan fan who fell in love with their pop culture and kung fu movie references. Bill, Brian, and Patrick discuss the lasting influence of ODB's style and humor, RZA's style as a producer, whether or not Brian can name every member of the Wu Tang Clan (spoiler: he can't, stay tuned till the end of the episode for the correct memeber names), how the Wu Tang clan style present on this album is reminiscent of punk rock, the many features on this album, the album's scatological nature, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week the boys in broadcast are tackling yet another duet: Johnny Cash and Fiona Apple! Bill and Brian discuss how it reminds them of a different Johnny Cash partnership from the early 70s, how singular artists like Fiona and Cash are at their best when they "do their own thing" (even when they're working together), and what qualifies as overkill for posthumous recordings. Additionally, they uncover the origins of the mysterious voices on Tom Petty's Damn the Torpedos album, and Bill lists his most representative artists of each decade.
NOTE: check out our friend Chris Nova's band Ruby Bones (http://rubybones.bandcamp.com) whose album comes out on 5/12. And catch their free-admission album release party at Asbury Park Yacht Club on Friday May 19, 2017.
Bill and Brian get to spend a nice lazy Sunday afternoon enjoying each other's company without a guest, chatting about Fiona Apple's Extraordinary Machine (2005, Epic). Brian talks about discovering Fiona's moody, electric pop sound as a disparate soundtrack to some sunny summer days. Bill notes how he first heard of this album due to the producer and label controversy surrounding its delayed release. Bill and Brian then discuss Jon Brion's original vision, the sound Mike Elizondo and Brian Kehew eventually brought to the final product, Questlove's funky drumming, seeing Fiona live on this tour, a surprising amount of lyrical analysis, and more as we make our way through the album track by track!
It's Bonus Song Thursday! And the boys only get mildly tangential this week as they talk about the hit single off Bella Donna, Stevie Nicks' hit debut solo LP. They talk about how Stevie was introduced to Tom Petty via her then-boyfriend, mega-producer Jimmy Iovine. Along the way, they also discuss Great vs. Classic, and the difficulty of defining a decade's worth of music with just one artist. All this and then some on this week's Bonus Song Thursday edition of the Great Albums podcast!
Bill and Brian are joined by musician Chad Stocker (the High Strung, the Mythics) to discuss Tom Petty and the Heartbreakers' Damn the Torpedoes (1979, Backstreet/MCA). Chad talks about how his love of documentaries turns him into a fan of whatever their subject is - in this case, the 2007 Peter Bogdanovich film Runnin' Down a Dream. Bill, Brian, and Chad discuss Jimmy Iovine taking charge as the producer, his clashes with drummer Stan Lynch, the curse of consistency, Mike Campbell's deceptively amazing guitar leads, Ron Blair's diverse bass playing, Benmont Tench's skill on keys, Petty's battles with his label, and more as we make our way through the album track by track!
It's Bonus Song Thursday as Bill and Brian return from Spring Break! On this week's edition, they talk Tina and debate whether or not her version eclipses the Creedence Clearwater Revival original. Along the way, they answer the age-old question: "By the early 90s, was Michael Jackson cool anymore?" as Brian recalls a very specific McDonalds commercial sponsored by the NBA. It's nothing but net on this week's Bonus Song Thursday, so check it out!
Musician Adam Weiner (lowcutconnie.com) joins Bill and Brian to discuss Creedence Clearwater Revival's Willy and the Poor Boys. Adam talks about the ubiquity of CCR and how it led him to discover some other great music. Then Bill, Brian, and Adam discuss Philly accents, Flannery O'Conner and the Southern Gothic, how a song's overuse can affect how we listen to it, who sung it better (CCR or the Beach Boys?), Lead Belly and his influence on this album, the influence of Chuck Berry and Roy Orbison, Barack Obama's official playlist, and more as we make our way through the album track by track!
Low Cut Connie's Dirty Pictures (part 1) available for pre-order now! https://www.hellomerch.com/collections/low-cut-connie/products/dirty-pictures-part-1-cd
Bill and Brian continue their Spring Break, doing something a little different and fun, by taking a look at 6 music videos where the visual is just as important as the music. We talk about not being allowed to watch MTV, some gender politics in regard to the acceptance of male sexuality, Louis CK, the present accessibility of music, and more as we discuss videos from Peter Gabriel, Michael Jackson, Chris Isaak, Blind Melon, Seal, and Blur.
Bill and Brian take a short Springtime respite from our usual release schedule and talk instead about something a little different and kind of fun - a film with a soundtrack as important as its script, Empire Records (1995). Bill talks about how he loved this movie since his teenage years, and Brian reveals that he had never seen it until the very day of this discussion. We get into the differences between the theatrical and Special Fan Edition, our favorite tunes from the soundtrack (including songs from the Gin Blossoms, Edwyn Collins, the Cranberries, Evan Dando, and Dire Straits), how 90s angst may not resonate with viewers todays, and how some of our own love tales mirrored AJ and Cory.
No Bonus Song Thursday this week. We'll be back with another Spring break episode next week!
It's Bonus Song Thursday! Bill and Brian talk about that time Okkervil River frontman Will Sheff and the Wrens' Charles Bissell swapped covers and released a single. They get into how well Sheff did with the indie classic "Ex-Girl Collection" and get excited about the possibility of the impending new release from the Wrens. Also, we read a listener email that highlights some great lyrics from Queens of the Stone Age's Songs for the Deaf. Also, we delve into some more #Trypod recommendations including Radiohead podcast the Daily Mail, Steven Hyden's Celebration Rock, and the fantasy epic the Once and Future Nerd.
Also, make sure to stay tuned through the end for a special announcement about our very first live show at the Nashville Rock n Pod Expo! Check out more details and donate to the cause at www.gofundme.com/rocknpodexpo.
Musician Katie Miller (katedressedup.bandcamp.com) joins Bill and Brian to dive into Okkervil River's the Stand Ins (2008, Jajaguwar). Katie talks about discovering the band via Bon Iver's cover of "Blue Tulip" and how frontman Will Sheff's lyrical acumen drew her in. Bill, Brian, and Katie discuss why we chose this album over others, caring about lyrics, how Sheff's voice is on the fence of the indie-emo and indie-folk movements, Brian Cassidy's contributions as an arranger and multi-intrumentalist, dueting with Shearwater's Jonathan Meiburg, Charles Bissell's guest appearance, the narrative on the nature of art and pop music that runs through the album, the option of succeeding, quitting, or dying, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, Bill and Brian break down Tori Amos' cover of Slayer's "Raining Blood," and wonder whether or not it started the trend of rock songs getting turned into haunting ballads to accompany certain films. Along the way, Bill discusses a new podcasting trend happening in the month of March while Brian shares his first experiences with Tori Amos and other badass female artists via his very first girlfriend. All this and more on this week's Bonus Song Thursday episode of The Great Albums podcast!
Publisher and author DX Ferris (6623press.com) joins Bill and Brian to discuss Slayer's entry into the metal class of '86 Reign in Blood (1986, Def Jam). Ferris talks about taking his fandom to the extreme, from discovering the band as a teenager in Pittsburgh in the 80s, to having the opportunity to write two books on the band - one being the entry for this album in the acclaimed 33 1/3 series. Bill, Brian, and Ferris then discuss the influence of Rick Ruben and Andy Wallace on the record, Dave Lombardo's genre defining double bass drum, Jeff Hanneman and Kerry King's unique and sick guitar style, Tom Araya's unique vocals and spirituality, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, the boys tackle Lady GaGa's recent single, "Perfect Illusion" which features Queens of the Stone Age's Josh Homme on guitar. In this episode, we mention how GaGa - taking a page from Beyonce's book - enlisted a number of high-profile collaborators in order to create a varied, interesting-sounding new record. We dive into whether or not GaGa is currently beefing with other A-List pop stars all the while concluding - once and for all - if Bruce Springsteen was considered "cool" in his time. All this and much, much more on this week's Bonus Song Thursday edition of The Great Albums Podcast!
Musician Adam Bird (facebook.com/adambirdmusic) joins Bill and Brian to discuss hard rockers Queens of the Stone Age's Songs for the Deaf (2002, Interscope). Adam talks about discovering the band via their connection with Nirvana drummer and Foo Fighters frontman Dave Grohl and how his enjoyment of the band blossomed through this album. Bill, Brian, and Adam discuss how Josh Homme attains his unique guitar tone, the dichotomy of bassist Nick Oliveri's screaming and singing, Mark Lanegan and Alain Johannes' contributions to the band, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week Bill and Brian discuss how this Prince-penned song struck that sweet spot of early 90s production and - yes - also about the other thing O'Connor became known for once it became a hit. They also make a few corrections regarding T. Rex's origins and hit on what exactly can be defined as nostalgia. All this and more on this week's Bonus Song Thursday edition of The Great Albums podcast!
Podcaster Bill Ackerman (nowplayingnetwork.net/supportingcharacters) joins Bill and Brian to discuss Prince's multimedia spectacular, Purple Rain (1984, Warner Bros.). Bill talks about falling in love with this music as it saturated the airwaves in his youth, and then revealing that access to this film and album would have been denied to him if it not for a precocious baby sitter willing to collude with him. The Bills and Brian discuss the Minneapolis scene, First Avenue, the Revolution, Wendy & Lisa, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! The boys discover a mid 80s Replacements version of this T. Rex classic and Bill loses his chill (in all the right ways) at just how hot they sound! Also on the show, a listener figures out how much he loves Taylor Swift, Bill and Brian revisit the pronunciation of the word "timbre," and Brian announces a free live music event that features no fewer that six previous guests! All this and more on this week's Bonus Song Thursday edition of the Great Albums Podcast!
Singer Nikolina the Terrible of the Production (theproductionband.com) joins Bill and Brian to discuss T. Rex's Electric Warrior (1971, Reprise). Nicole talks about how this album is one of her earliest memories and how she grew up listening to T. Rex. Bill, Brian, and Nicole then talk about how T. Rex didn't quite cross the pond with the same success they enjoyed in the UK, Marc Bolan's unique voice, Tony Visconti's production, what exactly glam is, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian talk some more about the Beastie Boys and how their song, "Sabotage," soundtracked their youth and reminded them of Rage Against the Machine. This leads us into analyzing the late 90s rap/rock boom before we get into some listener emails about New Zealand NPR and Ryan Adam's new album. Make sure to check out Tweed at tweed-nz.com!
Dan LeRoy, the man who literally wrote the book on Paul's Boutique (both the 33 1/3 entry and a follow up For Whom the Cowbell Tolls), joins Bill and Brian to talk about the Beastie Boys and their 1989 sophomore album. Dan talks about discovering the band as an early adopter of rap and then loving this album in his college days. Dan also shares his experience of writing his books and working through the many samples present on this album. Dan, Brian, and Bill discuss the Dust Brothers and Matt Dike's influence on the album, the maturation of the band, the importance of (or lack thereof) a hit single, Adam Yauch guiding "A Year and a Day," Mike Diamond disavowing how important their contributions are, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian follow up Sleater-Kinney with some more Sleater-Kinney, by talking about "A New Wave" off 2015's No Cities to Love. We talk about how the band didn't miss a beat in its 10 year hiatus and a bunch about how cool Bob's Burgers is. Then we delve into a bunch of emails responding to our divisive Kanye West comments on last week's episode!
Musician Nick Palmer (thedangeros.com) joins Bill and Brian to discuss Sleater-Kinney's 'breakout' 7th album, the Woods (2005, Sub Pop). Nick describes discovering the band while working at Journeys in the mall, and then thinking the distortion on his pirated copy was a mistake until he bought the album and the liner notes told him that Dave Fridmann was the producer. We talk about Janet Weiss's drumming skills, Carrie Brownstein's rockstar presence, Corin Tucker's soaring vocals, why the band doesn't need a bass player, sexist micro-agressions and pronoun choice, whether or not the last track is any good, how the band should be viewed as one of the greatest of their time, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian start off this episode with a rousing debate about the merit's of Kanye West in which Bill allows himself to disregard the spirit of the podcast for a few moments and come across as a little critical. Luckily, Brian defends Kanye's art admirably, and they end up comparing and contrasting the song to the CAN tune it samples! Additionally, we read some listener emails about great albums from the 80s and aughts and then debate the merits of the Killers (this time with less conflict).