Bill and Brian continue Indie August, spending a couple hours delving into one of their new favorites and what they consider a modern classic, Frightened Rabbit's The Midnight Organ Fight (2008, Fat Cat).
It's Bonus Song Thursday! Bill and Brian get only semi-tangential from our Rilo Kiley episode and chat about Jenny Lewis' "She's Not Me." We talk about Ryan Adams' smooth production, the excellent guitar solo, and whether or not the the 70s gloss is a simply a hipster trope. Then we read some listener emails about Sebadoh (and how, no, we weren't criticizing Lou Barlow's post Dinosaur Jr project), best female guitarists, and the Singles soundtrack!
Singer songwriter Lance Scott Greene (not-poprecords.bandcamp.com) joins Bill and Brian as we make our way through Indie August to discuss Rilo Kiley's More Adventurous (2004, Brute/Beaute). Lance talks about discovering the band via a discman into the tape deck of his friend's busted old 90s sedan. Then Bill, Brian, and Lance discuss these songs inspiring Lance as a songwriter, the multitude of genres featured on the album, the Birch Hill in NJ, Jenny Lewis' powerhouse vocals, Blake Sennett's intricate guitar work, which songs most benefit from Jason Boesel's drums, country vs. R&B, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! And Bill and Brian take a deeper dive into Lou Barlow's non-Dinosaur Jr project Sebadoh and their song "The Freed Pig." We talk a little about what Brian loves about this lo-fi gem and the band's place maybe outside the shadow of Dinosaur Jr. Then we get into some listener emails about A Mighty Wind, transgender issues, and film soundtracks in the 21st century.
Bill and Brian kick off Indie August with podcaster Josh Flanagan (ifanboy.com) joining them to discuss Dinosaur Jr's You're Living All Over Me (1987, SST). Josh explains how his 'mid-life crisis' helped him dive into a band that has been circling him for decades. Then Bill, Brian, and Josh discuss the band's interpersonal dynamics, Murph suffering under J's dictatorial arrangements, the band's tenuous relationship with Homestead Records, how J Mascis' guitar shredding skills are integral to his songwriting, referencing a Big Muff that isn't a vagina, which album Brian would pick if he had to choose between Lou Barlow's many projects, and more as we make way through the album track by track!
Podcaster and WXPN music director Dan Reed (soundcloud.com/ddmusicpodcast) joins Bill and Brian to discuss Afghan Whig's Gentlemen (1993, Elektra) in front of a live audience at the 2017 Philadelphia Podcast Festival.
Bill and Brian continue having fun on their summer vacation, but in the meantime, we won't leave you without an episode. So we hung out and spent some time chatting about the legendary musicians that ruled the rock and roll studios in the 60s, the Wrecking Crew. We talk about the film based on this loose collection of musicians, Tommy Tedesco on guitar, Carol Kaye on bass, Hal Blaine on drums, a host of other musicians, some of the songs they contributed to, the producers they collaborated with like Phil Spector and Brian Wilson, and even a little bit about the Monkees as we talk about about what made these people great!
On a very special episode of the podcast, Brian and Bill take a break from the weekly grind, spreading the love of our favorite albums to spread the love of one of our favorite films instead. We dive into Christopher Guest's 2003 mockumentary A Might Wind. We chat a little about This is Spinal Tap, 80s hair metal, the Guest style of filmmaking, the excellent contributions of this ensemble cast, the well crafted and funny tunes, and much more as we laugh our way through a recap of what we love about this movie!
It's Bonus Song Thursday! Brian and Bill follow up our Wu-Tang talk by discussing one of their most successful members Method Man and his hit featuring Mary J. Blige "I'll Be There for You/You're All I Need to Get By." Our chat about the time period this was release quickly turned into a deeper examination of cultural appropriation, bias, and why it might be okay for two white guys to have a serious discussion examining what makes some rap music great. Also, we round up the emails and responses to our Jimmy Eat World episode. We'll be back in two weeks with a very Summer Special episode!
Improvisor and vocalist Kyle Gordon (mydarklittlecorner.com) joins Bill and Brian to discuss Wu-Tang Clan's seminal rap debut Enter the Wu-Tang (36 Chambers) [1993, Loud/RCA). After Brian goes off book to name all 9 members of the group (RZA, GZA, Ol' Dirty Bastard, Method Man, Raekwon the Chef, Masta Killa, Inspectah Deck, Ghostface Killah, and U-God), Kyle talks about discovering the group as an angry teen growing up in the suburbs of New York.
It's Bonus Song Thursday! Bill and Brian jump into a Way Back Machine to continue the conversation about Jimmy Eat World by delving into a tune from their 1999 album Clarity. We discuss what exactly "emo" is and why Brian was wrong not to listen to Weezer's Pinkerton before we get into some listener emails about 90s rock icons that have gone soft and 21st century guitar gods.
Renaissance man and author of Processing Creativity: the Tools, Practices and Habits Used to Make Music You're Happy With, Jesse Cannon, joins Bill and Brian to discuss Jimmy Eat World's breakthrough album Bleed American (2001, Dreamworks). Jesse describes coming up in the emo scene at the same time as JEW, listening to their album Clarity as a genre defining touchstone, and loving this album when it came out. Then Brian, Bill, and Jesse talk about Mark Trombino's contributions as producer, Zach Lind's unique drumming, Jim Adkins' tone and string gauge, and a whole lot of production tips and tricks as we make our way through the album track by track.
Make sure to check out all the projects Jesse is involved with - including producing and more podcasting - at jessecannon.com!
It's Bonus Song Thursday! Today, Bill and Brian chat about this gem of a 90s tune! While the song doesn't lend itself to too much specific discussion, the boys take a stroll down memory lane as they attempt to decipher the difference between which bullies from what movies were played by Keifer Sutherland and Anthony Michael Hall.
Meanwhile, Brian shares a story of roller rink romance that ends in an all-too-familiar fashion and Bill asks the listeners to help us figure out who went from rock to soft rock between 1997 and 2017 (similar to how Adams, Stewart, and Sting did from the 70s to the 90s). All this and more on this week's Bonus Song Thursday edition of The Great Albums!
Brian and Bill are joined by musician Kimi Howe (casino sundae.bandcamp.com) to discuss the Police's debut album Outlandos d'Amour (1978, A&M). Kim talks about listening to this album as a part of her uncle's 8 track collection (he made sure to skip "Be My Girl - Sally" so that it didn't affect her impressionable ears). Then Bill, Brian, and Kim get into talking about the band's musical talent, how they fit in the British punk scene, Sting's ego, Andy Summers' excellent and unique style, just how cool Stewart Copeland and his brother Miles really are, Sting's evolving position on Rod Stewart, and more as we make our through the album track by track!
It's Bonus Song Thursday! And Bill stops in for a short episode to explain that we had some technical difficulties and lost the episode we actually recorded for this. :( But Bill makes sure to fill you in on the tragic love story that made this Brian's favorite Love song, the results of our informal poll about Wilco's "Via Chicago," and a little bit of promo.
Make sure to go support former guest of the podcast Tyler Plazio and his band Soldiers of Suburbia by donating to their Indie GoGo campaign!
Musician, producer, and label guru Neil Sabatino (mint400.com) joins Bill and Brian to discuss Love's third album Forever Changes (1967, Elektra). Neil talks about how the band's early garage sound drew him in after a friend got him listening to Love's first couple albums, but then he was blown away by the maturity of the psychedelic and folk tones produced on Forever Changes. Bill, Brian, and Neil then get into the band's legacy, Bryan MacLean's genius guitar playing, how producer Bruce Botnick deftly motivated the band after bringing in some ringers from the Wrecking Crew, the band's influence on the Doors, a little on Arthur Lee's influence on Jimi Hendrix, production styles and the technology available for listening, the album’s place amongst the other classic albums of the time (such as Pet Sounds, Sgt. Pepper's Lonely Hearts Club Band, and the Piper at the Gates of Dawn), and much more as we make our way through the album track by track!
It's Bonus Song Thursday and this week the B-Squad talks about Wilco's title track off their self-titled album! Along the way they talk about how comfortable (in a good way) the band has become in its own skin as well as what the Dad Rock of the 21st century might sound like. Along the way, they discuss their top 5 favorite Beatles albums (in honor of the recent Sgt Pepper 50th Anniversary), modern standards, and the return of Bill's band Small Planet Radio!
Bill and Brian welcome back podcaster and musician Jim Laczkowski (nowplayingnetwork.net and gardenonatrampoline.com) to discuss Wilco's foray into lush indie pop, Summerteeth (1999, Reprise). Jim talks about checking out the band after reading a favorable review from critic Greg Kot. Then Bill, Brian, and Jim discuss Wilco's evolution within their career, Jay Bennett's influence on the sound of the band, how the album maybe hit at the wrong time - namely, a time when Creed was blowing up the charts, how Jeff Tweedy is 'da bomb,' typical mid-Western Chicago guys shaving their heads and wearing dresses (y'know, like Billy Corgan), a lot about what we think Schmilco should sound like, the obvious influence of Sesame Street, Ken Coomer's welcome contributions as a great drummer, some great-but-extraneous tracks at the end, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, the B-squad revisits Yeah Yeah Yeahs a few years down the road as they continue to evolve their sound and - like Weezer before them - pick up a new generation of fans along the way. We discuss Karen O's pop culture icon status, Canada's hipster Mecca, and whether or not Ryan Adams ruined The Strokes. We also talk about a pair of live podcast events taking place this July and August, as well as the return of Bill's band, Small Planet Radio (http://smallplanetradio.com), this June!
Little Dickman Records' Amy Dickman (littledickman.com) joins Bill and Brian to discuss Yeah Yeah Yeah's debut Fever to Tell (2003, Interscope).
It's Bonus Song Thursday! This week the B's tackle Counting Crows' cover of Big Star's immortal "The Ballad of El Goodo." They talk about how they actually prefer to hear Big Star's music covered fairly straight (as opposed to, say, via an electronica interpretation) and how Counting Crows come eerily close to the original. Along the way, they touch upon possibly the oldest "Great Album," the Rock and Roll Hall of Fame, and of course, the untimely passing of beloved singer Chris Cornell. All this and more on this week's Bonus Song Thursday edition of The Great Albums.
Musician Frank Lettieri (dustofdays.bandcamp.com) joins Bill and Brian as we finally set to tackling Counting Crows' August and Everything After (1993, Geffen). Frank talks about having this album gifted to him as a part of a long tradition of uncles introducing nephews to cool music. Then Bill, Brian, and Frank discuss what one of the engineers on the album shared about the equipment used to record the album, the importance of the band's SNL performance in January of 1994, Adam Duritz's exquisite cafe poetry, how producer T-Bone Burnett influenced the overall sound of the recording, the underrated rhythm section of Steve Bowman and Matt Malley, Charlie Gillingham as a Benmont Tench-esque secret weapon, David Bryson's memorable guitar hooks, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, the B's talk about Nancy Sinatra's most enduring hit single and how her father Frank signed her to his (at the time) vanity imprint, Reprise. We get into the left-of-center tendencies of under-appreciated songwriter/producer Lee Hazlewood and how there are certain songs that transcend their creators. Along the way, we discuss favorite comeback albums, and Bill answers an email, putting to bed the reason we have yet to tackle OK Computer.
Musicians Fred and Richard Fairbrass (aka Right Said Fred) join Bill and Brian to discuss Frank Sinatra's 10th studio album Songs for Swingin' Lovers (1956, Capitol). After getting the requisite conversation about their tour prepping and some of the trappings of being celebrities out of the way, Fred and Richard talk about discovering Sinatra through their parents, especially from the influence of their 'mum.' Bill, Brian, Fred, and Richard then discuss Nelson Riddle's arrangements, Sinatra's feelings about Elvis, the Beatles, and rock'n'roll, a little on Brian's favorite Sinatra album Watertown, how Sinatra found his voice as he matured, and a few of our favorite tracks from the album!
Don't forget that Right Said Fred's latest album, Exactly!, is available in all the places you can find good tunes, including rightsaidfred.com.
It's Bonus Song Thursday! This week, Bill and Brian recount a track that, according to Bill, "was in the air" throughout 1998/1999. Pras, formerly of the Fugees, made his solo debut in grand fashion and had a hand from Mya and Wu-Tang Clan's Ol' Dirty Bastard. They discuss how - in total ODB fashion - he just kind of showed up one day and was asked to drop a verse (and took to the assignment admirably). Along the way, they talk about how the Fugees operated similarly to Wu-Tang, fostering members' solo careers following the success of a massively-influential group effort. Will Smith enters into the discussion and so too does superior LP side 2s. All this and more on this week's Bonus Song Thursday edition of the Great Albums podcast.