Musician Katie Miller (katedressedup.bandcamp.com) joins Bill and Brian to dive into Okkervil River's the Stand Ins (2008, Jajaguwar). Katie talks about discovering the band via Bon Iver's cover of "Blue Tulip" and how frontman Will Sheff's lyrical acumen drew her in. Bill, Brian, and Katie discuss why we chose this album over others, caring about lyrics, how Sheff's voice is on the fence of the indie-emo and indie-folk movements, Brian Cassidy's contributions as an arranger and multi-intrumentalist, dueting with Shearwater's Jonathan Meiburg, Charles Bissell's guest appearance, the narrative on the nature of art and pop music that runs through the album, the option of succeeding, quitting, or dying, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, Bill and Brian break down Tori Amos' cover of Slayer's "Raining Blood," and wonder whether or not it started the trend of rock songs getting turned into haunting ballads to accompany certain films. Along the way, Bill discusses a new podcasting trend happening in the month of March while Brian shares his first experiences with Tori Amos and other badass female artists via his very first girlfriend. All this and more on this week's Bonus Song Thursday episode of The Great Albums podcast!
Publisher and author DX Ferris (6623press.com) joins Bill and Brian to discuss Slayer's entry into the metal class of '86 Reign in Blood (1986, Def Jam). Ferris talks about taking his fandom to the extreme, from discovering the band as a teenager in Pittsburgh in the 80s, to having the opportunity to write two books on the band - one being the entry for this album in the acclaimed 33 1/3 series. Bill, Brian, and Ferris then discuss the influence of Rick Ruben and Andy Wallace on the record, Dave Lombardo's genre defining double bass drum, Jeff Hanneman and Kerry King's unique and sick guitar style, Tom Araya's unique vocals and spirituality, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week, the boys tackle Lady GaGa's recent single, "Perfect Illusion" which features Queens of the Stone Age's Josh Homme on guitar. In this episode, we mention how GaGa - taking a page from Beyonce's book - enlisted a number of high-profile collaborators in order to create a varied, interesting-sounding new record. We dive into whether or not GaGa is currently beefing with other A-List pop stars all the while concluding - once and for all - if Bruce Springsteen was considered "cool" in his time. All this and much, much more on this week's Bonus Song Thursday edition of The Great Albums Podcast!
Musician Adam Bird (facebook.com/adambirdmusic) joins Bill and Brian to discuss hard rockers Queens of the Stone Age's Songs for the Deaf (2002, Interscope). Adam talks about discovering the band via their connection with Nirvana drummer and Foo Fighters frontman Dave Grohl and how his enjoyment of the band blossomed through this album. Bill, Brian, and Adam discuss how Josh Homme attains his unique guitar tone, the dichotomy of bassist Nick Oliveri's screaming and singing, Mark Lanegan and Alain Johannes' contributions to the band, and more as we make our way through the album track by track!
It's Bonus Song Thursday! This week Bill and Brian discuss how this Prince-penned song struck that sweet spot of early 90s production and - yes - also about the other thing O'Connor became known for once it became a hit. They also make a few corrections regarding T. Rex's origins and hit on what exactly can be defined as nostalgia. All this and more on this week's Bonus Song Thursday edition of The Great Albums podcast!
Podcaster Bill Ackerman (nowplayingnetwork.net/supportingcharacters) joins Bill and Brian to discuss Prince's multimedia spectacular, Purple Rain (1984, Warner Bros.). Bill talks about falling in love with this music as it saturated the airwaves in his youth, and then revealing that access to this film and album would have been denied to him if it not for a precocious baby sitter willing to collude with him. The Bills and Brian discuss the Minneapolis scene, First Avenue, the Revolution, Wendy & Lisa, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! The boys discover a mid 80s Replacements version of this T. Rex classic and Bill loses his chill (in all the right ways) at just how hot they sound! Also on the show, a listener figures out how much he loves Taylor Swift, Bill and Brian revisit the pronunciation of the word "timbre," and Brian announces a free live music event that features no fewer that six previous guests! All this and more on this week's Bonus Song Thursday edition of the Great Albums Podcast!
Singer Nikolina the Terrible of the Production (theproductionband.com) joins Bill and Brian to discuss T. Rex's Electric Warrior (1971, Reprise). Nicole talks about how this album is one of her earliest memories and how she grew up listening to T. Rex. Bill, Brian, and Nicole then talk about how T. Rex didn't quite cross the pond with the same success they enjoyed in the UK, Marc Bolan's unique voice, Tony Visconti's production, what exactly glam is, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian talk some more about the Beastie Boys and how their song, "Sabotage," soundtracked their youth and reminded them of Rage Against the Machine. This leads us into analyzing the late 90s rap/rock boom before we get into some listener emails about New Zealand NPR and Ryan Adam's new album. Make sure to check out Tweed at tweed-nz.com!
Dan LeRoy, the man who literally wrote the book on Paul's Boutique (both the 33 1/3 entry and a follow up For Whom the Cowbell Tolls), joins Bill and Brian to talk about the Beastie Boys and their 1989 sophomore album. Dan talks about discovering the band as an early adopter of rap and then loving this album in his college days. Dan also shares his experience of writing his books and working through the many samples present on this album. Dan, Brian, and Bill discuss the Dust Brothers and Matt Dike's influence on the album, the maturation of the band, the importance of (or lack thereof) a hit single, Adam Yauch guiding "A Year and a Day," Mike Diamond disavowing how important their contributions are, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian follow up Sleater-Kinney with some more Sleater-Kinney, by talking about "A New Wave" off 2015's No Cities to Love. We talk about how the band didn't miss a beat in its 10 year hiatus and a bunch about how cool Bob's Burgers is. Then we delve into a bunch of emails responding to our divisive Kanye West comments on last week's episode!
Musician Nick Palmer (thedangeros.com) joins Bill and Brian to discuss Sleater-Kinney's 'breakout' 7th album, the Woods (2005, Sub Pop). Nick describes discovering the band while working at Journeys in the mall, and then thinking the distortion on his pirated copy was a mistake until he bought the album and the liner notes told him that Dave Fridmann was the producer. We talk about Janet Weiss's drumming skills, Carrie Brownstein's rockstar presence, Corin Tucker's soaring vocals, why the band doesn't need a bass player, sexist micro-agressions and pronoun choice, whether or not the last track is any good, how the band should be viewed as one of the greatest of their time, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian start off this episode with a rousing debate about the merit's of Kanye West in which Bill allows himself to disregard the spirit of the podcast for a few moments and come across as a little critical. Luckily, Brian defends Kanye's art admirably, and they end up comparing and contrasting the song to the CAN tune it samples! Additionally, we read some listener emails about great albums from the 80s and aughts and then debate the merits of the Killers (this time with less conflict).
Drummer Colin Ryan (Lowlight, Roadside Graves) joins Brian and Bill to discuss avant-garde German rockers CAN and their landmark album Future Days (1973, United Artists). Colin talks about how his former bandmates convinced him that listening to CAN was a good idea, forever influencing his own playing. Bill, Brian, and Colin discuss how Jaki Liebezeit's drums and Irman Schmidt's keys hold the sound of the band together, Damo Sazuki's unique vocal style, Bill makes up a story about an android while listening to these songs, the band's strange method of songwriting and the philosophy behind it, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Brian and Bill chat about Brian's favorite Spoon song "Utilitarian" off 1998's A Series of Sneaks. We stumble into a conversation about what the 90s sounded like before reading some listener emails about some 2000s albums, Drive By Truckers, Levon Helm's musicianship, and whether or not we think John Mayer is a complete BS musician.
Musician Chris Nova (rubybonesband.com) joins Brian and Bill to discuss Spoon's tongue twister of an album title Ga Ga Ga Ga Ga (2007, Merge). Chris talks about discovering the band through hit teen drama the OC. Then we discuss how consistent the band is, Brian's favorite Spoon album A Series of Sneaks, Bill's problem with the band, Britt Daniel and Jim Eno's influence on the production of the album, and much more as we make our way through the album track by track.
It's Bonus Song Thursday! Brian and Bill chat a bit about the Band's version of "Atlantic City" from their 1993 album Jericho. We fill in some of the group's history up through the 90s and marvel at Levon Helm's musicianship. We then read a listener submitted fun fact about James Mercer and Elliott Smith. And to round it out, we make a request of the listeners for some details on what they want to hear us talk about!
Bill and Brian welcome thegreatalbums.com blogger Chris Villalta to the the podcast to talk about the Band's Music from Big Pink (1968, Capitol). Chris talks about discovering the Band at the LA Grammy museum and thinking they looked like a bunch of dudes from the 1920s. The we get into Richard Manuel's unique voice, the Band's effortless musicianship, the friction between Levon Helm and Robbie Robertson, an interesting narrative that Chris weaves through the album's lyrics, Garth Hudson's influence on the group, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Brian and Bill talk about the Shins' "New Slang," which is really a way to spend time talking about the 2004 Zach Braff film Garden State. We talk about whether the film holds up, how it's important to people from different generations, and how it has stuck with us over the years. Then we read some listener emails about great, recognizable drum parts, cellos, and the maturity of Nirvana's In Utero. Also, make sure to check out Make Dad Read Comics where Bill got to talk about the Scott Pilgrim & the Infinite Sadness!
*Note: the book that Bill can't remember at the end of the episode is Frederic Wertham's Seduction of the Innocent.
Bill and Brian go sans guest for the first time in months to discuss an album that came to us around the same time back in our college days, The Shins' Chutes Too Narrow (2003, Sub Pop). The band formed as primary songwriter James Mercer's new project out of a band called Flake Music back around the turn of the century. Quickly signed to indie Sub Pop, the band had modest success with their first album, 2001's Oh, Inverted World. With Chutes Too Narrow, they gained some buzz and finally broke through after actor/filmmaker Zach Braff featured their song "New Slang" in a key scene in his 2004 film Garden State. Bill and Brian discuss discovering the band early in 2004, being a little underwhelmed by their live show, Brian's summer memories as an unwilling participant at Otacon, Brian's summer memories of his family trying to set him up with a pretty girl, Bill nerding out over utopias and dystopias, and more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian talk about Dave Grohl's introduction to the world as a lead singer with the Nirvana b-side "Marigold." We talk a little bit about the "what ifs" that surround the career of Nirvana had Kurt Cobain lived and how this song got recorded during the In Utero sessions. Also, we reveal a winner for our Neil Young/Lookout Joe contest and read an email from a former guest on the podcast!
Bill and Brian are joined by musician/singer-songwriter Tyler Plazio from Soldiers of Suburbia (soldiersofsuburbiaband.com) to talk about Nirvana's In Utero (1993, DGC). A couple years after the enormous success of their major label debut, Nevermind, the band and frontman Kurt Cobain felt pressure to craft a worthy follow up that also represented their artistic vision. They hired producer Steve Albini, kept recording time to a minimum, and attempted to maintain their punk ideals with a noisy and concise album. Tyler talks about discovering the band as a young guitar player after a bandmate told him to cover "Smells Like Teen Spirit." He also reveals how In Utero was a bit of a grower for him but is now one of his favorite albums. Bill, Brian, and Tryle also discuss Krist Novoselic's vision for the album, Dave Grohl's awesome drumming, Cobain's views on gender, and much more as we make our way through the album track by track!
It's Bonus Song Thursday! Bill and Brian follow up our conversation about Leonard Cohen with an REM song that curiously has Cohen listed as a writer although there was no collaboration between the artists. This leads us down memory lane as we discuss our college days and out first band together. Then we read a listener email about how we joined him on a Christmas day adventure and his own additions and recommendations for great albums that came out in 2016.
Bill and Brian kick off 2017 with an appreciation for the late songwriting titan Leonard Cohen. They are joined in studio singer/songwriter/voiceover artist Justin Pope (justinpopemusic.com), a lifelong Cohen fan. Along the way, the trio discusses why it might not be the best idea to follow your idol to the same college, especially when said idol graduated 44 years earlier and hasn't lived there in nearly as long. We also opine on the difference a producer can make and whether or not recording a bad version of "Hallelujah" is even possible as we make our way through 11 great Leonard Cohen tunes!