Feb 29, 2016
Brian and Bill welcome DJ Wendy Rollins (radio1045.com) and musician Paul Nance (theloudcompany1.bandcamp.com) from the Alter Natives podcast to help us discuss the Violent Femmes' self titled debut album (1983, Slash). Working as an acoustic trio, the band was discovered while busking outside a Pretenders concert. After playing a short set at that show, the band began work on this album, mostly written while primary singer/songwriter Gordon Gano was still in high school. Wendy and Paul share their experiences discovering the band in college (Wendy) and, surprisingly, at an earlier age (Paul) and how it helped shape their lives. Bill, Brian, Paul, and Wendy discuss receiving their copy of this album at college freshman orientation, the band's success in their later years, their dorky image and id-driven rock, the inter-band conflict over selling a song to Wendy's Old Fashioned Burgers, what genre the Femmes fit in and their timeless sound, songs with involuntary physical reactions, Brian and Wikipedia being in agreement, Sabrina the Teenage Witch, any perceived misogyny or sexism on the album, the music literally saving Wendy's life, Beatle-esque harmonies, Jeb!, xylophone vs. marimba, what the heck a tranceaphone is, and the ubiquitous track by track review!
over seven years ago
Speaking of newer bands that took off where the Femmes left off, check out Clap Your Hands Say Yeah & Born Ruffians. Especially the first albums of both of these bands.