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The Great Albums

Two indie rock musicians, Bill Lambusta and Brian Erickson, dive into the fandom of great rock and pop music and how it connects to their lives through the lens of the medium they care for most, the album. Episodes frequently include guest contributions from musicians, podcasters, and journalists and always culminate in a track by track review.
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Now displaying: Page 1
Feb 1, 2016

Singer, songwriter, and multi-instrumentalist Jeff Linden (jefflinden.bandcamp.com) of Rose Boulevard and his own solo work (backed by the Black Spot Society) joins Bill and Brian to discuss Queen's A Night at the Opera (1975, EMI/Parlophone/Elektra). Probably the definitive album in the band's career, it was a great leap forward both sonically and in composition. With all four  members contributing songs, it was an eclectic mix of progressive, hard rock, folk, and vaudeville all anchored by the band's signature harmonies. Jeff talks about discovering Queen at a young age and later coming under their influence again after making his way through a period of listening to serious big songwriters rooted in cars and summer. Along the way, we also discuss how Queen evolved out of a band called Smile, Freddie Mercury's consistent voice, John Deacon's motivations for writing songs, gender roles and sexual identity in songwriting,  what a canon is, theremin, Bohemian Rhapsody (of course), and what kind of show we think Roger Taylor and Brian May should be doing curating at Radio City Music Hall.

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