On another exciting episode of the Great Albums...Bill and Brian are joined by Matt Warren, Digital Content Manager for filmindependent.org, to discuss the Flaming Lips' Yoshimi Battles the Pink Robots (2002, Warner Bros.).
Bill and Brian are joined by musician Savannah Pope (savannahpopemusic.com) to discuss Aretha Franklin's I Never Loved a Man the Way I Love You (1967, Atlantic).
Bill and Brian are joined by musician Nikki Karwacki (Finding Feebas, Triage, Batting a Thousand) to discuss Superchunk's unique brand of punk/power pop/alternative music on the album Here's Where the Strings Come In (1995, Merge).
Bill and Brian go sans guest this episode in order to dive into one of Bill's favorites from his formative years, Foo Fighters' There Is Nothing Left to Lose (1999, Roswell, RCA).
Podcaster James Anderson (Unabashedly Obsessed, Kids on Bikes) steps into Brian's large shoes to cohost and help Bill discuss the Barenaked Ladies' Maroon (2000, Reprise).
Bill and Brian are joined by radio-film-book-trivia guy (really unsure how else to define him!) Vincent Onorati to discuss Depeche Mode's Violator (1990, Mute). Vinny discusses finding his people when he discovered new wave radio and Depeche Mode's output. Then he explains how he got to experience the band's breakout success while interning at his favorite radio station. Then we get into a bunch of detail about loving this album with the track by track review!
Bill and Brian don't spend much time discussing albums on this week's episode. Instead, we talk about our top favorite theme songs from TV shows!
Podcaster and journalist Cassidy Robinson (Jabber and the Drone) joins Bill and Brian to discuss Sunny Day Real Estate's debut album Diary (1994, Sub Pop). Cassidy talks about his journey of first discovering the mainstream emo of the early 2000s, not enjoying it much, then finding his way back to the genre's hardcore roots, and discovering this Sunny Day Real Estate thanks to the recommendation of a record store clerk. Plus we talk about much more as we make our way through album track by track!
Bill and Brian are joined by writer-director-producer-manager KL Martin (kaleidosightfilms.com and 3143mgmt.com) to discuss Jay-Z's debut album Reasonable Doubt (1996, Roc-A-Fella). KL talks about "stealing" this album from his cousin and being fascinated by the world it depicted. We discuss how Jay-Z fits into the 90s rap world with the Notorious BIG, Tupac, and the East Coast/West Coast dichotomy. Then we get into a whole bunch of stuff about each song!
Bill and Brian are joined by musician Justin Pope to discuss Belle and Sebastian's sophomore album If You're Feeling Sinister (1996, Jeepster). Justin tells an appropriately "twee" story about hearing Belle and Sebastian on late night radio, being unable to find the band that sang the "beautiful" tune, and then finally discovering band when his crush made him a mixtape filled with Belle and Sebastian songs. Then Bill, Brian, and Justin get into the band's sound and what "twee" means, how they evolved to the point to be sharing a stage with the bombastic New Pornographers, Douglas Coupland, Stuart Murdoch vs. Morrissey, and more as we make our through the album track by track!
Bill and Brian are joined by thegreatalbums.com blogger Jeff Fiedler to discuss his favorite albums of 2018! It's all new, all different this week, so check out where Jeff ranked albums by: Leon Bridges, Gorillaz, Albert Hammond Jr., Lake Street Dive, Paul McCartney, Kacey Musgraves, Panic! At the Disco, Natalie Press, Charlie Puth, and Richard Thompson!
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Brian tells Bill about his favorite albums of 2018! Learn a little about Brian's process and the trends he saw happening in music this year before we dive into a discussion on 10 albums from artists like:
Caroline Rose, The Carters, Father John Misty, Kamasi Washington, Mitski, Pusha T, Serpentwithfeet, Soccer Mommy, Superchunk, and U.S. Girls (alphabetized to mask Brian's actual order, listen to find out who's #1!).
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Bill and Brian open up the email inbox, check the tweets, and have some discussions about Rolling Stone, Weezer, Batman, Spiderman, and Stan Lee. Also, Bill takes a little time to update everyone on his recent health issues (it's looking pretty okay, now).
Check out this week's sponsor: Skylight Frame! Use promo code ALBUMS!
Also, if you're enjoying the tunes in this week's episode, that's courtesy of the Paper Jets' new album. Check it out at thepaperjets.com!
Musician Mick Chorba (thesuccessfulfailures.com) joins Bill and Brian to discuss the iconic White Album (Apple, 1968) by the Beatles. It's our first episode dedicated to a single Beatles album! Yeah, it's taken us awhile to get there, but we did.
Massive Album November week 3 has arrived! Bill and Brian sit down with thegreatalbums.com blogger and Aqualung Records head, Jeff Fiedler, to discuss Supertramp's Breakfast in America (1979, A&M).
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Massive Album November reaches week 2, and Bill and Brian welcome Telegraph Hill Records' Kristen Costa (telegraphhillreccords.com) to discuss No Doubt's Tragic Kingdom (1995, Trauma/Interscope).
Massive Album November week 1 is here! And Bill and Brian dive into Sheryl Crow's huge debut Tuesday Night Music Club (1993, A&M) with podcaster James Kittle.
*At one point in the podcast, we debate the sales for this album because we came across a few different numbers in different places. Per RIAA.org, Tuesday Night Music Club is certified 7x platinum on 7 million units shipped in the US.
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Bill and Brian hang out with singer/songwriter Renee Maskin (lowlightnj.com) and discuss Father John Misty's I Love You, Honeybear (2015, Sub Pop).
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Bill and Brian are joined by podcaster and author Brian Wagner (businesslifelessons.com and storybookempire.com)to discuss a-ha's debut album Hunting High and Low (1985, Warner Bros.). Brian helps us explain how a-ha is so much more than just an 80s one hit wonder (especially to the rest of the world). Then we get into Morten Harket's awesome voice, how Pal Waaktaar was the driving force behind the band's songwriting, Mags Furuholmen's distinctive keys, and more as we make our way through the album track by track!
Also, check out this week's sponsor: Robinhood!
Bill and Brian discuss the almost lost masterpiece from Ryan Adams, Love Is Hell (2004, Lost Highway). Without a guest, we explore our own origin stories of listening to Ryan Adams before getting into the allure of a tortured artist, Ryan Adams' signature reverb/echo, which songs Ricky Fataar may or may not play on, the significance of the Hotel Chelsea, and more as we make our way through the album track by track!
Bill and Brian hang out with musician Nick Palmer (normally, we'd link to the band's website here, but Brian and I were discussing how awesome "Generation Gap" by WAX WAV is, so click this link and go watch the kickass video for it: https://youtu.be/kWNgGz9FPic) and discuss Fugazi's Repeater (1990, Dischord). All the prerequisite talk about punk and what it means to punk happens, but we also discuss Ian MacKaye and Guy Piccioto's politically/emotionally charged lyrics that are still relevant today and the awesome musicianship of the rhythm section, Joe Lally and Brendan Canty. This and more as we make our way through the album track by track!
Bill and Brian couldn't pick just a single album from Harvey Danger. With 3 excellently crafted LPs, we had no idea where to start, so we decided to discuss all 3 at the same time! Bill and Brian each pick a favorite song from Where Have All the Merrymakers Gone (1997, Arena Rock/London/Slash) King James Version (2000, London/Sire), and Little by Little... (2005, Phonographic/Kill Rock Stars) and talk about what makes each song great!
Bill and Brian list their top 5 albums they enjoy listening to while avoiding looking at the cover.
This week's sponsor: ZipRecruiter!
Singer-songwriter and piano rocker Matt Cook (mattcookmusic.com) joins Bill and Brian to discuss Sufjan Stevens' The Age of Adz (2010, Asthmatic Kitty). Matt shares his story about discovering this album as he recovered from a coma (yes, seriously, it's a wild story!) and how he was won over despite not enjoying it at first. We get into Royal Robertson's influence on the album, whether or not to tag Sufjan with the 'genius' label, reevaluating our lives when faced with our own mortality, just what synth makes those sounds, and more as we make our way through the album track by track!