Bill and Brian give thanks, list our top 10 episodes, and read a bunch of emails in the midst of our indefinite hiatus.
In our final episode that'll be part of a regular release schedule, we take a look back at the first album we ever discussed, the Replacements' Let It Be (1984, Twin/Tone). Bill and Brian use the skills they've honed during their years of podcasting experience to see what a conversation revisiting the first album would sound like. Enjoy!
It's finally happening! As we reach the penultimate episode to be part of our weekly releases, Bill and Brian take the time to talk about what's great about Radiohead's OK Computer (1997, Parlophone/Capitol). Bill spends a little time talking about what happens when fans say things like they can't get into an artist or album and how it can be perceived. Then we get to the track by track review, focusing on what we enjoy in the tunes!
Author and educator Doug Robertson, AKA the Weird Teacher, joins Bill and Brian to discuss Nick Cave and the Bad Seed's Let Love In (1994, Mute Records).
Musician Sean Barna drops by to discuss the Hold Steady's sophomore effort Separation Sunday (2005, Frenchkiss).
Musician Scott Sylvester (Meeko Brando) hangs out with Bill and Brian while we discuss Sonic Youth's Murray St. (2002, DGC Records).
Writer, blogger, and vlogger Maureen Zahn joins Bill and Brian to discuss the Police's Synchronicity (1983, A&M).
*There's a part in the show where we reference Synchronicity and Thriller being out in the same year. Thriller was actually released in November 1982 with this following in June 1983. However, it's worth noting that in that time period they were both eligible for the same Grammy awards ceremony in 1984.
Podcaster Rachel from We Are Weezer joins us from across the country to talk about one of her top 3 bands of all time, Garbage, and their debut self titled album (1995, Almo).
We're back from a month long break from the podcast with a Liner Notes episode. Bill and Brian discuss what they've been up to in their time off - check out Brian's new band the Extensions, and check out Bill's band Fake Pockets' entry into the Tiny Desk contest! Also, we've got a special announcement regarding the future of the podcast. Jump to 32:25 if you want to just get the bad news out of the way...
On another exciting episode of the Great Albums...Bill and Brian are joined by Matt Warren, Digital Content Manager for filmindependent.org, to discuss the Flaming Lips' Yoshimi Battles the Pink Robots (2002, Warner Bros.).
Bill and Brian are joined by musician Savannah Pope (savannahpopemusic.com) to discuss Aretha Franklin's I Never Loved a Man the Way I Love You (1967, Atlantic).
Bill and Brian are joined by musician Nikki Karwacki (Finding Feebas, Triage, Batting a Thousand) to discuss Superchunk's unique brand of punk/power pop/alternative music on the album Here's Where the Strings Come In (1995, Merge).
Bill and Brian go sans guest this episode in order to dive into one of Bill's favorites from his formative years, Foo Fighters' There Is Nothing Left to Lose (1999, Roswell, RCA).
Podcaster James Anderson (Unabashedly Obsessed, Kids on Bikes) steps into Brian's large shoes to cohost and help Bill discuss the Barenaked Ladies' Maroon (2000, Reprise).
Bill and Brian are joined by radio-film-book-trivia guy (really unsure how else to define him!) Vincent Onorati to discuss Depeche Mode's Violator (1990, Mute). Vinny discusses finding his people when he discovered new wave radio and Depeche Mode's output. Then he explains how he got to experience the band's breakout success while interning at his favorite radio station. Then we get into a bunch of detail about loving this album with the track by track review!
Bill and Brian don't spend much time discussing albums on this week's episode. Instead, we talk about our top favorite theme songs from TV shows!
Podcaster and journalist Cassidy Robinson (Jabber and the Drone) joins Bill and Brian to discuss Sunny Day Real Estate's debut album Diary (1994, Sub Pop). Cassidy talks about his journey of first discovering the mainstream emo of the early 2000s, not enjoying it much, then finding his way back to the genre's hardcore roots, and discovering this Sunny Day Real Estate thanks to the recommendation of a record store clerk. Plus we talk about much more as we make our way through album track by track!
Bill and Brian are joined by writer-director-producer-manager KL Martin (kaleidosightfilms.com and 3143mgmt.com) to discuss Jay-Z's debut album Reasonable Doubt (1996, Roc-A-Fella). KL talks about "stealing" this album from his cousin and being fascinated by the world it depicted. We discuss how Jay-Z fits into the 90s rap world with the Notorious BIG, Tupac, and the East Coast/West Coast dichotomy. Then we get into a whole bunch of stuff about each song!
Bill and Brian are joined by musician Justin Pope to discuss Belle and Sebastian's sophomore album If You're Feeling Sinister (1996, Jeepster). Justin tells an appropriately "twee" story about hearing Belle and Sebastian on late night radio, being unable to find the band that sang the "beautiful" tune, and then finally discovering band when his crush made him a mixtape filled with Belle and Sebastian songs. Then Bill, Brian, and Justin get into the band's sound and what "twee" means, how they evolved to the point to be sharing a stage with the bombastic New Pornographers, Douglas Coupland, Stuart Murdoch vs. Morrissey, and more as we make our through the album track by track!